The Qatsi Trilogy will be screened in the majestic Peristyle Theater.
- 5:30pm: Koyaanisqatsi: Life out of balance (1982)
- 7:30pm: Powaqqatsi: Life in transformation (1988)
- 10:00pm: Naqoyqatsi: Life as war (2002)
The general focus of the QATSI Trilogy is the technological milieu – the nature of technology.
What we know about the subject is vastly promotive, over-the-top positive, coming to us from the producers of global technology. A glowing wonderland of unlimited opportunity is promised by the good life of the technological order. Infinite capacity, virtual immortality, super human cognition – attributes that have until now been reserved for the divine are indicated for technology. A new technological pantheon has been established in the horizonless world of the Blue Planet.
But is technology what it appears to be? Have we looked behind the shimmer of its glowing surface? Very little, if anything, reveals its meaning through mere appearances. Most everything is more complex, full with a universe of hidden dimensions. Is technology an exception to this common experience?
Or, have we accepted its truth as the truth? Is technology a new and comprehensive environment, the host of life, that has replaced the natural order? Is technology the new universal religion? Can faiths unquestioned become our prisons? Should we place blind faith in the techno-clergy of the new order?
Does the computer reproduce the world in its own image and likeness? Is technology a mere tool, as we are told, that can be used or misused depending on one’s intentions? Is technology neutral? Does it possess a life of its own? Is it the effect of technology on this or that (the environment, etc.), or is it that everything is situated in technology?
Has technology become an addiction, an altered state that we cannot live without? Is technology a way of living? Do we use technology or do we live technology? Is it our consciousness that informs our behavior or is it our behavior that informs our consciousness?
Do we now live in a world beyond the senses, in a micro-universe, where small is dangerous? Is technology synonymous with the machine or has it become ordinary daily living?
VenueToledo Museum of Art